Bicycle Sound Systems (BSS) are growing in popularity. Anyone who has gone to a festival, seen or participated in a Critical Mass ride or watched the Skyride events will have seen a BSS in operation. The following is a description of what I have learnt over the years in the art of building sound systems Orlando attached to a bicycle.
There is nothing worth the experience of a good music. Duke Ellington once said, "There are two types of music, good and bad. If you like it, it's good music." However, there are some factors that determine the validity and suitability of the system. The first consideration before building a bicycle sound system is to ask yourself exactly what is it for? Now this may sound like a stupid question but consider:
Below, is a compilation of a list of questions that you as nightclub owner need to ask your consultant so that every factor that affects sound in your nightclub, is taken care-of. Answer to these questions will not only make you better understand the dynamics of nightclub system design but will also give you an idea about the competency of the consultant. Send these questions across to three to four consultants and then choose the one who provides the best answers or satisfies you. We have tried our best to avoid technical terms wherever possible. Ask explanation from your consultant concerning some basic technical terms such as Frequency Response, Throw, SPL, Dispersion, Phase Delay, DSP, Frequency Cancellation, Reflection, Amplifier and Absorption.
How the music interacts with the enclosed space of your venue? Which material inside the venue is acoustically opaque or transparent and how does it affect the low, mid and high frequencies? Is your venue suppressing some frequencies? How will the acoustic material used inside the venue age with time and how it will affect music?
The majority of the flat panel TVs being sold are limited in space allocation for their speakers thus affecting the quality of sound coming from the unit and, furthermore, are challenged by the manufacturer's design efforts to produce a television as thin as possible. The quality emanating from those units often leaves a lot to be desired and purchasing a good system adds significantly to the quality being produced without having to spend a fortune.
There has to be a balance between what is audible, the fidelity of the reproduction, what can be afforded, and what is practical. A super loud system can not only annoy the neighborhood and attract the police but it becomes really heavy and is impossible to move. Remember there is not just the weight of the speakers, there are also batteries and amplifiers that have to be carried.
Again, how loud depends on the use, if it is just yourself and a cyclist next to you, 50 - 100 watts could be enough. In my opinion, 100 watts would be the absolute minimum. If you want many people to hear you and you want a proper bass response, the wattage must increase. I believe 600 watts is somewhere around the maximum, for both volume and weight.
Critically the amplifier must not be overdriven. This usually happens when the output of the amplifier is not enough for the situation. Everything is turned to max to compensate and there is distortion. We have all heard it, in cars, clueless DJ's, PA systems... The crazy thing is that turning it down just a bit will reduce the volume very slightly but everything can now be heard properly without distortion.
There is nothing worth the experience of a good music. Duke Ellington once said, "There are two types of music, good and bad. If you like it, it's good music." However, there are some factors that determine the validity and suitability of the system. The first consideration before building a bicycle sound system is to ask yourself exactly what is it for? Now this may sound like a stupid question but consider:
Below, is a compilation of a list of questions that you as nightclub owner need to ask your consultant so that every factor that affects sound in your nightclub, is taken care-of. Answer to these questions will not only make you better understand the dynamics of nightclub system design but will also give you an idea about the competency of the consultant. Send these questions across to three to four consultants and then choose the one who provides the best answers or satisfies you. We have tried our best to avoid technical terms wherever possible. Ask explanation from your consultant concerning some basic technical terms such as Frequency Response, Throw, SPL, Dispersion, Phase Delay, DSP, Frequency Cancellation, Reflection, Amplifier and Absorption.
How the music interacts with the enclosed space of your venue? Which material inside the venue is acoustically opaque or transparent and how does it affect the low, mid and high frequencies? Is your venue suppressing some frequencies? How will the acoustic material used inside the venue age with time and how it will affect music?
The majority of the flat panel TVs being sold are limited in space allocation for their speakers thus affecting the quality of sound coming from the unit and, furthermore, are challenged by the manufacturer's design efforts to produce a television as thin as possible. The quality emanating from those units often leaves a lot to be desired and purchasing a good system adds significantly to the quality being produced without having to spend a fortune.
There has to be a balance between what is audible, the fidelity of the reproduction, what can be afforded, and what is practical. A super loud system can not only annoy the neighborhood and attract the police but it becomes really heavy and is impossible to move. Remember there is not just the weight of the speakers, there are also batteries and amplifiers that have to be carried.
Again, how loud depends on the use, if it is just yourself and a cyclist next to you, 50 - 100 watts could be enough. In my opinion, 100 watts would be the absolute minimum. If you want many people to hear you and you want a proper bass response, the wattage must increase. I believe 600 watts is somewhere around the maximum, for both volume and weight.
Critically the amplifier must not be overdriven. This usually happens when the output of the amplifier is not enough for the situation. Everything is turned to max to compensate and there is distortion. We have all heard it, in cars, clueless DJ's, PA systems... The crazy thing is that turning it down just a bit will reduce the volume very slightly but everything can now be heard properly without distortion.
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